Category Archives: Photography

Issues and things related to photography, including ethics, technicals, anecdotes, etc.

Art; an exploration of the unknown

Backcountry skiing on the Root Glacier, Wrangell St. Elias National Park, Alaska.
Backcountry skiing, exploring the Root Glacier, with Stairway Icefall in the background. Springtime brings melt, opening a small pool of water on the glacier’s surface. Cross country skiing, Wrangell-St. Elias National Park and Preserve, Alaska. Please click on the image above to view a larger version of this photo.

Hey Folks,

I think art involves exploration, the process of stepping into the unknown, and taking a journey of sorts. In this way, I think we might relate the idea of art to the idea of “icon photography” discussed earlier. Seeking out the new is a vital fragment of making art, in my opinion.

At some point, we delineate art from craft. Art, to me, involves a greater element of the unknown, while craft is more a process of refinement and control. One hones one’s craft, but I don’t think that’s necessarily the case with art. Art might simply involve turning a new direction with each step (though maybe it doesn’t have to do so). We don’t have to refine anything.

On a trek through the mountains, I enjoy the exploration, the wander itself. Though I guide hikes in places I’m obviously familiar with, I make an effort to reserve at least a trip or 2 each season as an exploratory hike. This summer, for example, we’re heading out on a Arrigetch Peaks backpacking trip in Gates of the Arctic National Park. A park I’ve visited once, my very first remote hike in Alaska (wow, what a great memory that is). Venturing into the unknown is an artful process; a game of chance. I don’t know what we’ll find on the trip, and that itself is motivation for the undertaking; to simply experience that gift of the hidden.

Jazz musicians understand this, every time they step to the mic to improvise a solo they do exactly this. That’s the beauty of jazz. That’s also the beauty of art. The other is artifact.

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Do you practice?

Grizzly bear, from behind.
A grizzly bear, rear view, Katmai National Park and Preserve, Alaska. Please click on the image above to view a larger version of the photo.

Hey Folks,

As often as I’ve run across discussions about art and photography, I’ve never really heard anyone ask this question. Most artists, painters, writers, musicians, sculptors, dancers, etc, practice, routinely. But how much practice do you, as a photographer, actually do?

I don’t mean “time in the field shooting”. I mean time in the wood shed, practicing, honing your chops? I mean sitting working on a particular technique, idea, composition, theoretical study, etc.

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Photographers and icons

Dwarf Fireweed, Brooks Mountain Range, ANWR, Alaska.
Dwarf fireweed (Epilobium latifolium) and the Upper Marsh Fork River of the Brooks mountain range, in the Arctic National Wildlife Refuge (ANWR), Alaska. Mid summer, this photo was taken about 2:00am. First light of the day. 🙂

Hey Folks,

Recently I’ve read a few articles and posts abwout photography and and photographers, and particularly landscape photographers; the question of ‘shooting icons’ almost invariably comes up. For those readers here who aren’t quite sure what that is a reference to, it simply points to the regularity with which so many famous landscapes are photographed. Scenes such as Grand Teton from the Snake River Overlook, Yellowstone National Park’s Lower Falls are almost ubiquitous with landscape photography.

It’s an interesting discussion. Those kinds of locations are frequently photographed because not only are they spectacular scenes, but they’re also great to photograph; overlooks and viewpoints seemingly designed with the landscape photographer in mind. This is not true of all spectacular scenes, for a variety of reasons.

The primary reason a scene like this one, of Mount Edith Cavell and Cavell Lake in Canada’s Jasper National Park has been photographed so many more times than, say, the scene at left, is that Edith Cavell is road accessible. All the other discourse about happiness and contentment and art versus stock and following one’s creative muse and shooting your passion is simply talk; it all comes down to the pavement. If it’s off the road, it’s probably not an icon.

The question then concerns itself with the value of our pursuit; and that, like so many such questions, is entirely contextual. For some people, shooting photos that sell well is all that matters. For others, shooting photos that express some personal vision is more important.

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Internet Radio Interview

Male grizzly bear, brown bear photo, Katmai National Park, Alaska.
Male grizzly bear, brown bear photo, (Ursus arctos) Katmai National Park, Alaska. Please click on the thumbnail to view a larger version of the photo.

Hey Folks,

Just a quick note here to say if you can, check out this online radio interview (GONE) Tuesday, May 4, 2010, at 9pm EST. I’ll be talking with photographers Greg D and E.J. Peiker, and  host Dave Warner. It should be a lot of fun to do, and hopefully interesting and useful as well. I know I’m excited about it, Greg and EJ are great photographers whom I’ve admired for a long time, and it’ll be nice to talk with them.

We’ll be talking about wilderness photography, backpacking and hiking and photographing, as well as some environmental/conservation topics that might be relevant to nature photography.

Greg also had the idea of present a few images online and we can discuss those and present a little more context about the work. I’m not really sure all of what we’ll talk about yet, but the show is open to call in, and it’d be great to hear from you on air. Hopefully the conversation will be interesting.

The broadcast can be heard live here. If you miss the show, it will be edited and available as a podcast soon after – I’ll add a link to this post when that becomes available.

I hope you enjoy the show,

Cheers

Carl

Free Photos – Bull Elk Photo

Why Your Photography Business is Not a Non-Profit

Bull Elk bugling, Jasper National Park, Canada.
Bull Elk bugling, Jasper National Park, Canada.

I had another photo request for free use of my images today; they come in pretty regularly, it seems, particularly for wildlife and landscape photography. We nature lovers obviously love what we do, and so must have a desire to give our work away for free. How can we not?

I’ll be the first to admit it folks; these are tough times, for buyers and sellers alike.

There’s no denying that truth. I thought I’d try to find some kind of compromise here. I always like to develop a relationship with someone who may potentially pay for my work, and I also wanted to help these people out – theirs is a just and worthwhile cause. And hey, maybe helping these folks out might provide the impetus for some real economic activity in the world?

I hoped to do my bit to help the economy get rolling, my own little stimulus plan, if you will (I still can’t believe the government got away with labeling theirs a ‘stimulus package‘). At the same time, I didn’t really want to give away my work for free. What to do?

The ‘stimulus plan’ for free photo requests

I tried to explain to the person on the phone; I listened closely, and sympathized – “yes, I realize you’re a non-profit organization, but  my business, on the other hand, is NOT a non-profit“. This didn’t clarify things, apparently.

A different tact:  “Well, you see, my rent doesn’t go down according to the charity work that your business does, and the food I eat doesn’t become free simply because I did a good deed for the day“. We got nowhere.

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Brown Bear Photos, Katmai National Park, Alaska

Grizzly bear walking in a salmon River, Katmai National Park, Alaska.
A young brown bear (Ursus arctos) walks through a stream hunting for spawning Sockeye Salmon. Grizzly bear, or coastal brown bear, Katmai National Park and Preserve, Alaska.

Hey folks

Won’t be long until the bears are running around the woods again!!!

I’ll be in the woods for the coming week, but I thought I’d post a brown bear photo, and schedule a couple of other blog posts for while I’m gone.

Catching this young blonde colored brown bear in some nice light was quite a treat. That’s the benefit of spending time in the field. Most wildlife photography, it seems, is done in places where the subject is pretty much a given; places like Homer for bald eagles, Yellowstone for elk, Churchill for polar bears, and Katmai National Park and Preserve for grizzly bears, or brown bears.

So what makes the difference?

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The art of nature

Silhouette of a bald eagle, Kachemak Bay, Homer, Alaska.
A bald eagle headshot, silhouetted against a glowing sunset, Kachemak Bay, Homer, Alaska.

Hey Folks,

I read a great blog on art yesterday, by Paul Grecian. The subject was a play on the aural equivalent of the old adage, ‘if a tree falls in a forest and no one hears it does it make a sound’. Paul takes the viewpoint that art is a human pursuit, and exists only when it has a human audience. “If there is no human to perceive it and translate the experience into an emotion, then there is no art” – I’m not so sure I subscribe to that idea, for a number of reasons.

I think art is a verb; art is something we do. The results of that process might be nice to look at, or not, or nice to listen to, but the essence of art is creating. The act of creating is where art lies, not the products of that process. And we are not at all the sole creators. An American Tree Sparrow calling the tune of the alpine country is as artful as Joshua Bell playing a Beethoven concerto. The dance of the Japanese Red Crowned Crane is glorious. A Bower bird’s building her nest? The song of the wolf pack over the frozen night air is as spell-binding as Aretha or Stevie on a good day, no? What distinguishes human art from the performances of our fellow creatures, other than our own ability (and endeavours) to relate to it?

Art is essentially play.

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A Big Month for Skolai Pass Photos

Sunset over Skolai Pass, Wrangell St. Elias National Park and Preserve, Alaska.
Skolai Pass, the north end; Sunset over Skolai Pass, Wrangell St. Elias National Park and Preserve, Alaska.

Hey Folks,

Skolai Pass has rocked into March 2010. This month’s edition of backpacker magazine, which I wrote about earlier, has a full page image of mine from Hole in the Wall, accompanying an article about hiking the Goat Trail.

And this month’s edition of Popular Photography includes another photo from Skolai Pass by photographer Doug Roane, taken on one of last year’s Skolai Pass Photo Tours. Check out a large version of Doug’s amazing photo here. Better yet, take 15 minutes and browse the collection of images on Doug’s website. Awesome stuff!

Falls overlooking Skolai Pass and Russell Glacier - Wrangell-St. Elias National Park, AK
Skolai Pass, the south end; Waterfalls overlooking Skolai Pass and Russell Glacier – Wrangell-St. Elias National Park, AK. For a gorgeous larger version, visit Doug’s website at www.dougroanephotography.com

Doug’s photo was voted 2nd place in the March “Your Best Shot” competition. Huge congratulations Doug, a recognition well-earned.

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Manufactured Landscapes – a film review.

Colorful duplex and garden, Orsono, Chile.

Colorful duplex and garden, Orsono, Chile. Please click the image to view a larger version of the photo.

Hey Folks,

I’m depressed. I just watched “Manufactured Landscapes”, (2006) and if you haven’t seen it, I recommend you do. It’s a pretty intense documentary, featuring amazing photography by Edward Burtynsky. Burtynsky creates some powerful imagery of some of the most unlikely subjects – largely industrial wasteland. Coal mines, dams, factories (the opening shot shows the inside of a factory over three quarters of a kilometer long), parking lots, construction sites, destruction sites, you name it. It’s compelling stuff – the beauty in his photos is moving, yet discomforting. The reality he brings to the viewer is a bit overwhelming; this stuff IS our world, today.

The film is set in China, largely, though the narration points out that this industrial development is global; almost all of the products being pieced together in factories throughout China consist of raw materials shipped in from around the globe, then shipped back off to meet demand overseas. The stark reality here is that China’s environmental problem is our problem; insatiable demand from the “developed” world is altering not just the landscape, but the land itself. Continue reading

Blogs, Social Media, Tweets and Gibberish

Caribou herd on the coastal plain, the Arctic National Wildlife Refuge, Alaska.
Caribou herd feeding on the coastal plain, the Arctic National Wildlife Refuge, Alaska. Click the thumbnail for a larger, more epic, version.

Hey Folks

Recently I read a photographer ask the following question:

Now I know that blogging gets your profile closer to the top of the heap and web traffic will probably go up. The question is have any of you actually seen a raise in the amount of sales as a result? Is it all worth the amount of time that it takes to do all this stuff?

Now, I hope the photographer doesn’t mind me mentioning his name, but I only do so because this guy is a total BAD-ASS. Readers, meet Mr Adam Gibbs. Adam is an amazing photographer, and I don’t mean ‘amazing’ like ‘oh yeah, cool’ – I mean like his images are simply gorgeous. If this photo doesn’t make you cry, you’re computer is broke. If this photo doesn’t move you, it’s time for you to retire from your position as CEO of Exxon-Mobil, Mr Tillerson.

Anyway, the discussion that ensued revolved, as suspected, around blogging, facebooking, tweeting, etc, etc. Is it “worth it”?

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