What exactly is an “abstract photo”? All photos are abstractions.
What exactly is an “abstract photo”? All photos are abstractions.
Hey Folks,
It’s often said that art can teach us how to live. This is true, yet it’s also commonly misinterpreted. The product of art, what we call the photograph, or the lyric, or the dance, doesn’t teach us how to live. The product of art, these artifacts, can show us how someone ELSE lived.
On the other hand, the making of art (which is REALLY where art is), can teach us how to live.
This process, the making of art, illustrates how we might live; how we might be fully present, engaged, conscious. More fully alive. Continue reading
Hey Folks,
An abstract aerial shot of the Wrangell Mountains, with a little fall color thrown in. Wrangell-St. Elias National Park and Preserve, Alaska.
I’d actually asked the pilot to fly us up in this area in the hope to find a particular glacial scene I wanted to reshoot, but the great patterns and colors along the ridges above the glacier were more interesting; in part because we didn’t find what I was looking for anyway.
Aerial photography is an exciting challenge; trying to see compositions that work in camera from such an unusual perspective is harder than one might imagine. The sensory overload of flying through such magnificent scenery, Continue reading
Hey Folks,
Here’s a quick shot from a flight we took over the park last week; the weather wasn’t so awesome, but the flight sure was. I’d shot this valley before, and knew it would have some nice color.
Now, back to packing gear for the grizzly bear photo tour.
Cheers
Carl
Hey Folks,
From my most recent trip to Wrangell-St. Elias National Park and beyond. This is an aerial photo from above the Root Glacier, near Kennecott and McCarthy, Wrangell-St. Elias National Park and Preserve. The small stream is made up largely of runoff water from Stairway Icefall, a massive 7000′ vertical wall of ice that effectively form the “headwaters” of the Root Glacier.
This is an image I’ve wanted to capture for sometime now; I’ve seen various similar images of this same stream from a few photographers, including my friend Ron Niebrugge, and often thought it would be a cool subject to shoot. Indeed it is. Continue reading
Hey Folks,
A view from above; looking down on to the Nizina Glacier, Wrangell-St. Elias National Park and Preserve.
Bob and I hiked around on the Nizina Glacier all afternoon, exploring the expansive icy landscape. Good times indeed, and a myriad different (temporary) photo opportunities. I say “temporary” because many of them were gone the following week when acres of the glacier calved from the main glacier into the lake, fractured, up-ended and disappeared down river. I flew over the Glacier maybe a week after our hike and much of the area we had traversed was gone. Cool stuff.
Glaciers are incredibly dynamic landscapes, and always a blast to explore, travel and photograph. As such they can be a dangerous place to navigate, but so can the streets of Anchorage (especially if you’re on a bicycle); caution is required, certainly, but glaciers are a fascinating subject.
Cheers
Carl
Hey Folks,
It’s interesting to think about how technology and cultural constructs shape what we think and feel. Today we live in a somewhat bizarre world, where digital mediums both record and present way too much of our lives; we can watch Australia’s then Prime Ministerial candidate Kevin Rudd (he went on to win the election) pick something from his ear and eat it during gov’t Question Time, we watch a person rush over and catch a baby falling off an escalator, etc, etc. So much of our lives is recorded and witnessed again, from the mundane to the exciting, the thrilling to the disheartening, our greatest moments and our worst. Whether recorded intentionally or unintentionally, today we see it almost all on the big screen.
In some ways, the power of visual imagery has only increased, it appears, with the inundation of imagery that digital technology has yielded. Some folks might suggest that this flood of images waters down its potency, but it appears to only strengthen with increased volume. The more imagery we’re subjected to, the stronger, apparently, their hold on us. Continue reading
Hey Folks,
I read it again last night. This nonsense has to stop. Why do photographers so often have such a hard time simply acknowledging that what we do is inherently technological? As such, technological advances (i.e., new gear) can (and typically do) play an enormous role in the work we produce. Perhaps much more so than most other art forms.
You’ve all seen the kind of commentary I’m talking about; another piece about how painters don’t talk endlessly about their paintbrushes. Or, even more inanely, how if Art Wolfe were to shoot with a P&S camera, he’d still produce a remarkable portfolio. It’s the photographer, not the camera, that produces great work, blah, blah, blay.
Right? Continue reading